|
|
|
«
1-D
E-G
H-Z
» |
|
|
A52
Offices: Los Angeles, California
Since its inception in 1997, A52 has developed
and produced imagery for some of the world's
best known commercials and music videos.
Home to some of the industry's most talented
artists, their innovative studio has created
award winning visual effects through the
seamless integration of 2D and photoreal
CGI. |
|
|
BlackPool Studios
Offices: Bow, Washington
BlackPool Studios is an Emmy winning visual
effects facility specializing in matte painting
and digital compositing for feature film
and television. Some of the Features BlackPool
Studios has worked on include Sleepers,
The Star Wars Trilogy—Special Edition, and
Contact. Their television projects include
Star Trek Enterprise, The X-Files, Alias
and Lost. Their client list includes Industrial
Light & Magic, Fox Television, Paramount
Pictures, Touchstone Television and Warner
Bros. |
BUF Compagnie
Offices: Paris-Pantin, France & Los
Angeles, California
Since the mid-eighties, BUF has been regarded
as one of the most innovative visual effects
companies in the world. The quality and
originality of their work has earned them
numerous awards. This level of achievement
is obtained by going through preliminary
stages of research and tools development.
Their research & development department
is in charge of designing and upgrading
BUF's special tools. One of BUF's main credentials
was to pioneer "camera mapping" and "stereo
modelling" techniques. The "bullet time"
effect created for Matrix was directly inspired
by the research carried out by BUF. |
|
|
Cinesite
Offices: London, England
Cinesite is one of the largest full-service
visual effects and post production facilities
in the world, providing services as diverse
as digital effects, physical effects, model
construction and unit photography, film
scanning, laser recording and visual effects
supervision. They have built a prestigious
list of credits, including current and recent
productions Underdog, Omen 666, X-Men: The
Last Stand, V For Vendetta, Harry Potter
& The Goblet of Fire and Charlie & The Chocolate
Factory. |
CORE
Offices: Toronto, Ontario
In the spring of 1994, armed with passion
and ambition, Bob Munroe, John Mariella,
Kyle Menzies and actor/director/writer William
Shatner founded CORE, a creator of digital
visual effects and animation for feature
film and television. Primed with the underlying
philosophy that a studio designed by artists
for artists fosters the best creative environment,
CORE has produced award-winning work for
more than 55 feature films, 24 television
series and 24 MOW's. |
|
|
Digital Dimension
Offices: Burbank, California
Digital Dimension specializes in high-end
Visual Effects, 3D Animation, and Motion
Graphics for the film, television, and interactive
industries. Founded in 1997, Digital Dimension
has built a reputation early on as an innovative
provider of visual effects and animation.
Digital Dimension consists of teams of highly
passionate individuals who strive to incorporate
the principles of relentless innovation
for the benefit of their customers. Their
mission is to help their clients telling
their stories through the meticulous blend
of creative and technological innovations. |
Digital Domain
Offices: Venice, California
Founded in 1993, Digital Domain is an award-winning
full-service digital studio and production
company that creates special visual effects
and other visual imagery for feature films,
commercials and music videos. A pioneer
in digital effects, Digital Domain’s business
units have been recognized with awards from
the top industry organizations. In its 13-year
history, Digital Domain has won five Academy
Awards: two for Best Visual Effects (“Titanic,”
“What Dreams May Come”); and three for Scientific
and Technical Achievement for its proprietary
imaging software. |
Double Negative
Offices: London, England
Double Negative is a full-service VFX facility
capable of handling projects from initial
design through on-set supervision and production
to post-production. All key post-production
technologies are available in-house to allow
for maximum flexibility. Their R&D department
is constantly developing ground-breaking
software to ensure they remain at the cutting
edge of global VFX. Over the last 6 months
the company has worked on Batman Begins,
Pride and Prejudice, Doom, Harry Potter,
and Flyboys |
| |
|
|
|
|
 |
Digital
Effects (E-G)
Resources
to
top