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| Media Broadcast Alpha Listing (page 27 of 83) |
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-Double-
Offices: San Francisco, California
Double Fine Productions was founded in July of 2000. The founder, Tim Schafer,
created for his previous company, LucasArts, such games as Grim Fandango,
Full Throttle, and Day of the Tentacle. He started Double Fine with a big
chunk of the Grim team, and a big chunk of new people. In 2005, the team
released their first game together the critically acclaimed psychic adventure
Game Psychonauts.
Offices: London, England
Double Negative is a full-service VFX facility capable of handling projects
from initial design through on-set supervision and production to post-production.
All key post-production technologies are available in-house to allow for
maximum flexibility. Their R&D department is constantly developing ground-breaking
software to ensure they remain at the cutting edge of global VFX. Over the
last 6 months the company has worked on Batman Begins, Pride and Prejudice,
Doom, Harry Potter, and Flyboys
Offices: New York, New York
Dow Jones & Company publishes The Wall Street Journal and its international
and online editions, Barron's and the Far Eastern Economic Review,
Dow Jones Newswires, Dow Jones Indexes, MarketWatch
and the Ottaway group of community newspapers. Dow Jones is co-owner with
Reuters Group of Factiva and with Hearst of SmartMoney. Dow Jones
also provides news content to CNBC and radio stations in the US.
Offices: Hampshire, England; Lyon France & Toronto, Ontario
DreamCatcher launched its first title in 1996, with a small band of people
who believed in providing customers with quality entertainment software
at affordable prices. DreamCatcher is a fast-growing publisher and distributor
of interactive entertainment for both core gamers and the mass-market audience.
DreamCatcher is committed to publishing games that deliver maximum value
on multiple platforms including PC, Playstation®2 computer entertainment
system, GameCube®, and Xbox™-DreamWorks-
Offices: Glendale, California
In 1994, Steven Spielberg, Jeffrey Katzenberg and David Geffen formed DreamWorks.
The company’s animation division partnered with Northern California-based
PDI to produce CG animated movies, beginning with Antz in 1996. The two
companies went on to create some of the most memorable, critically acclaimed
and successful animated movies ever, including Shrek, which received the
first-ever Academy Award for Best Animated Feature Film, and Shrek 2, which
ended its theatrical run as the third highest-grossing domestic release
of all time and the highest-grossing animated film of all time.
Offices: Burbank, California
DreamWorks Animation is devoted to producing high-quality family entertainment
through the use of computer-generated (CG) animation. With world-class creative
talent and technological capabilities, their goal is to release two CG animated
feature films a year that deliver great stories, breathtaking visual imagery
and a sensibility that appeals to both children and adults. With each film,
they strive to tell great stories that are fun and comedic, told with a
level of sophistication and irreverence that appeals to the broadest audience
possible and captures the imaginations of all people regardless of age.
Offices: Jericho, New York
Dr. Dobb's Journal Journal presents articles written by the world’s
leading developers, architects, and project managers, and demonstrates how
to create effective architectures, use innovative techniques, and solve
integration problems in diverse computing environments. Master software
builders and architects have come to rely upon DDJ’s unmatched quality,
depth, and breadth its content.
Offices: Jericho, New York
DV Magazine is the leading industry publication dedicated to video
professionals, and is read by more than 60,000 qualified professionals.
Through objective, hands-on reviews of tools and technologies, DV
provides technical insight, inspiration and practical knowledge that lets
readers make informed buying decisions. DV is the central resource
video pros turn to for unbiased, insightful reporting on the tools they
need to fuel their video work.
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(page 28)
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